VIDA
VIDA Essays acquired & edited, often through multiple drafts
Vidhu Aggarwal “‘I’m Nothing, If Not’: An Anecdote of a Jar”
Mirene Arsanios “Many Englishes: On Editing and Power”
Abba Belgrave “Self Censored: When Writing is not Right”
Amy Berkowitz “Paintings I Won’t Paint”
Maria Brandt “Moving Through the Webs”
Catherine A Brereton: “About the (Queer) Author”
Julia Carey “Writing as a Mother Worker: A Socratic Inquiry”
Justine Champine “Notes on Femme and Fiction”
Karissa Chen “The Audacity to Dream: On Asian Women, Feminism, and My Grandmother”
Cynthia Cruz “Notes Toward a New Language: On Women Poets and Nourishment”
Tusia Dabrowska “Language is Home”
Natalie Eilbert “What We Don’t Name: The Delicate Path of Literary Crimes”
Vanessa Gabb “Let’s Shake the One”
Hafizah Geter “On Grief”
Ann Glaviano “On (Not) Reporting Sexual Violence”
Anya Groner “Gone from My Heart: Violence and Anger in the Poetry Workshop”
April Naoko Heck & Purvi Shah “Kundiman 10 Years Later: Reflections on Writing Faculty, Workshops, and Telling Our Collective Truth”
Michelle Herman “I Stood There Ironing”
Jean Ho “Getting Along Shouldn’t Be an Ambition”
Janine Joseph “Language of the Border”
Lisa Lee “Racial Invisibility and Erasure in the Writing Workshop”
Carrie Lorig “The Intensity of the Reader: Reading as a Guest / A Thief in the Classroom / In the Wreckage”
Monica McClure “The Other Section”
Jill McDonough “Submitathon! As Applied Feminist Epistomology: Rejecting Models of Scarcity, Believing in Plenty”
Lo Kwa Mei-en “Speak Test: The Silencing of the Racialized Body”
Gayle Mendez “Youth Poetry Slam”
Julia Anna Morrison “The Poet as Beginning Mother”
Nayomi Munaweera “Four Moments in the Life of a Brown Female Writer”
Monica Ong “Poetry, Community, and Reading the Body”
Morgan Parker “White People Love Me: Dispatches from the Token”
Phiroozeh Petigara “A Catalog of Exchanges: When Men (Don’t) Read my Words”
Catherine Pond “On a Clear Day: Notes on Identity”
Cassie Pruyn “Speaking into Silences”
Rita Mae Reese “Poetry in Late Capitalism”
Margaret Rhee “The Kimchi Poetry Machine Manifesta”
Rachel Richardson “To Go to Sea: Making a Place in a Male Literary Landscape”
Anna Ross “I Don’t Know How She Does It”
Purvi Shah “The Unbearable (White) Maleness of US Poetry: And How We can Enable a Structural Response to Literary Yellowface and Gender Inequity in Publishing”
Melissa R. Sipin “Tangential Divagation: Notes of an Immigrant Daughter”
Monika Sok “On Fear, Fearlessness, and Intergenerational Trauma”
Leigh Stein “Financial Confessions of a Feminist Organizer”
Bianca Stone “The House With Feet: The Dire Importance of Ruth Stone’s Bequest”
Sara Jane Stoner “Failing at Subjects: The Poetics of the Living Idea”
Erika Swyler “On Playing the Nice Woman”
Tess Taylor “But Do You Have to Work?”
Crissy Van Meter “The Publishing Process is Archaic”
Lina Ramona Vitkauskas “White Stockings: A Poetic Study of Mythical Freedom Fighters”
Anna Walewska “On Lack of Self-Confidence: Women’s Presence at Art Academies in Poland”
Vidhu Aggarwal “‘I’m Nothing, If Not’: An Anecdote of a Jar”
Mirene Arsanios “Many Englishes: On Editing and Power”
Abba Belgrave “Self Censored: When Writing is not Right”
Amy Berkowitz “Paintings I Won’t Paint”
Maria Brandt “Moving Through the Webs”
Catherine A Brereton: “About the (Queer) Author”
Julia Carey “Writing as a Mother Worker: A Socratic Inquiry”
Justine Champine “Notes on Femme and Fiction”
Karissa Chen “The Audacity to Dream: On Asian Women, Feminism, and My Grandmother”
Cynthia Cruz “Notes Toward a New Language: On Women Poets and Nourishment”
Tusia Dabrowska “Language is Home”
Natalie Eilbert “What We Don’t Name: The Delicate Path of Literary Crimes”
Vanessa Gabb “Let’s Shake the One”
Hafizah Geter “On Grief”
Ann Glaviano “On (Not) Reporting Sexual Violence”
Anya Groner “Gone from My Heart: Violence and Anger in the Poetry Workshop”
April Naoko Heck & Purvi Shah “Kundiman 10 Years Later: Reflections on Writing Faculty, Workshops, and Telling Our Collective Truth”
Michelle Herman “I Stood There Ironing”
Jean Ho “Getting Along Shouldn’t Be an Ambition”
Janine Joseph “Language of the Border”
Lisa Lee “Racial Invisibility and Erasure in the Writing Workshop”
Carrie Lorig “The Intensity of the Reader: Reading as a Guest / A Thief in the Classroom / In the Wreckage”
Monica McClure “The Other Section”
Jill McDonough “Submitathon! As Applied Feminist Epistomology: Rejecting Models of Scarcity, Believing in Plenty”
Lo Kwa Mei-en “Speak Test: The Silencing of the Racialized Body”
Gayle Mendez “Youth Poetry Slam”
Julia Anna Morrison “The Poet as Beginning Mother”
Nayomi Munaweera “Four Moments in the Life of a Brown Female Writer”
Monica Ong “Poetry, Community, and Reading the Body”
Morgan Parker “White People Love Me: Dispatches from the Token”
Phiroozeh Petigara “A Catalog of Exchanges: When Men (Don’t) Read my Words”
Catherine Pond “On a Clear Day: Notes on Identity”
Cassie Pruyn “Speaking into Silences”
Rita Mae Reese “Poetry in Late Capitalism”
Margaret Rhee “The Kimchi Poetry Machine Manifesta”
Rachel Richardson “To Go to Sea: Making a Place in a Male Literary Landscape”
Anna Ross “I Don’t Know How She Does It”
Purvi Shah “The Unbearable (White) Maleness of US Poetry: And How We can Enable a Structural Response to Literary Yellowface and Gender Inequity in Publishing”
Melissa R. Sipin “Tangential Divagation: Notes of an Immigrant Daughter”
Monika Sok “On Fear, Fearlessness, and Intergenerational Trauma”
Leigh Stein “Financial Confessions of a Feminist Organizer”
Bianca Stone “The House With Feet: The Dire Importance of Ruth Stone’s Bequest”
Sara Jane Stoner “Failing at Subjects: The Poetics of the Living Idea”
Erika Swyler “On Playing the Nice Woman”
Tess Taylor “But Do You Have to Work?”
Crissy Van Meter “The Publishing Process is Archaic”
Lina Ramona Vitkauskas “White Stockings: A Poetic Study of Mythical Freedom Fighters”
Anna Walewska “On Lack of Self-Confidence: Women’s Presence at Art Academies in Poland”